This is the only 35mm camera I've ever seen that won't accept color film. It's a 27 shot 'disposable' loaded with Kodak's Professional BW400CN B&W print film. The great thing about this film is that it can be processed using the C-41 process that's standard in mini labs throughout the known universe. This is a no-frills device: fast 400 ASA film and a built-in flash with a 12 foot range. It seems idal for capturing incriminating snapshots at weddings and other get-togethers, although I'm sure it it could be modified into a quirky pinhole or LOMO camera.
Alas, I can't find any mention of this little gizmo on the Kodak site, which has me worried that it's already discontinued. I've added it to the Retro Thing store just so you can find it if you're interested - I can't promise it will remain available for long. Luckily, Kodak Professional BW400CN B&W film is still listed on the Big K's site in 24 and 36 exposure rolls for 35mm and 120 medium format cameras.
Kodak B&W One Time Use Camera [Retro Thing Gadget Emporium]
Kodak Professional BW400CN B&W film (C-41 color processing)




It looks like I'll get a second chance. Tomy has reissued the machine with an up to date color scheme and new playfield graphics. The new version requires 4 D cell batteries and features the same funky electromechanical scoring and sound effects as the 1982 original (pictured on the left). It's interesting to note that the name has been shortened to Atomic Pinball; I guess no one spends time in arcades anymore.
If you happen to be a guitar player on the lookout for some tubeish warmth, check out Cary Miller's in-depth look at Effectrode's $495 Tube-Vibe, which Miller described to me as "a lovingly hand-crafted homage to the classic Shiftee Uni-Vibe vibrato pedal made famous by the likes of Hendrix, Stevie Ray, and others. It's got a 100% tube signal path, three vacuum tubes sticking right out of the top, a funky purple metal fleck finish, and produces gorgeous, liquid-like vibrato and chorus tones."
"Video synthesis tends to be dominated by digital technology these days.
However, analogue video synthesis techniques can still offer a great
many advantages in terms of aesthetics, performance, simplicity, and
adaptability. Not to mention the non-linear surprises which can come
from working in the analogue domain. This "VGA Expropriator" will be
the first in a series of proprietary analogue hardware devices which
seek to explore the possibilities of digital/analogue hybrid technology
in video/audio performance and studio production contexts. The first
offering here is essentially a new design with it's creative process
making ample use of circuit-bending methodologies."


